veteran french producer maelstrom joins the ce crew with 3 tracks of high quality dance floor electro including a remix from ce head sync 24.

carioca dj and producer joutro mundo digs deep and delivers a stunning collection of reworks on this first release on his own label, outra. influenced by the melodic sounds of the amazonian jungle and the explosive carnival rhythms of his hometown rio, you can feel his devotion to the diverse music of brazil, which he now shares with you on the dance floor. valeu!

house of discos vinyl only edits imprint hodstash is back with four cuts for the floor with tracks from label regulars fouk, snack & harry wolfman and a track from someone totally new sdwtrx.

the checkup & deeleegenz, legendary belgian production duo, are back with another instant house classic. with multiple traxsource #1 house releases on labels including peppermint jam, toolroom, defected, madhouse, simma black, large, and beef records, the checkup has made his mark with his signature sound that mixes soulful chicago house with uk garage elements. getting a dancefloor banger of a remix from johannes albert, label boss of frank music and co-founder of fine records, this ep is a true dj tool with each track being dance floor ready.

seriously dope 4 track disco edits ep. first up is jaz. the south carolina native is at the top of the disco edits game, with records out on universal cave, rotating souls, and passport to paradise. “the end¯” is a 90bpm monster. easily suited for lovers of balearic, one of those rare slow tracks that can really rock a dance floor. the patchouli brothers are up and comers from toronto, with a 12” on basic fingers, “cheat, lie, kill, die¯” is a mid tempo stomper. a versatile track easily blended with disco or house, and a hook so catchy, crowds are singing along before the end of the track. will martin opens up the b-side with pure fire. “rock me again” is the transformation of a 2 minute james brown production into 7 and a half minutes of dance floor ecstasy. martin is known for lo-fi house, with releases on 2mr, dolly, argot, and supply records. studebaker hawk closes us out with the b-boy jam, “say africa”. breaks for days, and even a heavy guitar solo. this track is for lovers of deep disco, classic hip hop, and afrobeat. limited run so don t sleep on this one!

the 2017 remix and rebuild of one of drum and bass biggest dance floor anthems ever. babylon. dj future has delivered an absolute tearing remake of this all time legendary track and brought the original classic into the 21st century. with andy c, randall, uncle duggs, ray keith and many more playing it across the world at many of the major festivals the demand has never been stronger for the juice to start flowing again. for the original heads that loved the original you are in for a treat as bladreunner has pieced the original masterpiece together and rebuilt it piece by piece and it sounds stunning. an absolutely essential piece of drum and bass history revisited.

sapiens label boss, agoria, invites cannes highly regarded limelight resident nicolas masseyeff to the floor with a deep, dark and enignimatic two track ep ‘muse. opening with ep title track, ‘muse blends bold, ominous synth lines and stripped back percussion for a driven, bodzin-esque cut of the highest order. on the flip, is the subtle groove filled ‘moment of truth, neatly textured with layers of intricate percussion and brooding synth toplines.

the second release on werk is signed by j. manuel. the young producer has been polishing his sound ever since he first started experimenting with electronic music gear as a child. his commitment to following his own instincts rather than conforming to what was being played around him resulted in a very different aesthetic to the one commonly associated with berlin techno. drive fiction ep stands proof of that. all 3 tracks push boundaries in their own style, that being perhaps the strongest link between them. the title track -drive fiction- presents old-school leads over broken beats and electro inspired pads while the a2 -falling in sine circulation- is arguably the most dance floor oriented track, with a pounding 4×4 kick drum and an alarming 3/4 sine wave slaying the high frequencies. closing the ep is b-side -softer-, a melodic track with long, undulating pads that is nonetheless driven by a powerful rave-inspired beat. with its second release, werk comes to confirm the path it seeks to travel through both parties and releases: that of the sounds less rigid. gritty, wild and presenting a wide range of rhythmic patterns, drive fiction ep is a defying record. challenge accepted?

we are happy to introduce a new release and a new project from ben vedren and chez damier, a new collaboration that has been in the making for some time now. side aa1 presents a unique sound in its vibe, kind of a minimal track. the french discussion/vocal in the background adds another dimension. you don t need to speak the language to understand what s going on, but you must wonder at some point: do i understand french or is it the music that made me understand them? an -organ- sound intervenes towards the end bringing power and light to the hall. it s eleven minutes of pure music! while -aa- is composed of two different remixes of a different track, -berlin nights in paris- it can probably be called the house anthem. it starts strong with some acid sound and is filled with a lot of wonderful elements. like a gourmet meal, you wonder if the track shouldn t have been at least three times longer to satisfy the gluttony of the listen. the techno remixes of the track. it s a perfect example of detroit meets house. techno track can, with no doubt, feed and drive the dance floor. no need for more than five words to describe it – it s a serious techno track.

balance records is happy to release -paul cut- while no stranger to the french scene paul is one of the up and coming dj/producers out of paris. this release finds it roots in jazz (chicago /paris?). a1 starts with some heavy beats, which later combined with the other elements can bring the madness to any dance floor. side , a2 brings another kind of madness which shakes you from inside like heated particles with its jazzy vibes. b2 heats you in a subtly way, when you expecting it the least with background sounds inspired from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves. b1 will draw anyone inner energy with its piano. it s a great track to lead to the end of the night or even closing. for the love birds and the loners on the dance floor. b2 heats you in a subtly way when you expecting it the least with background sounds borrowed from jazz. and once they suck you in you start to be driven by them, like being stuck in the waves.

violet-the color of royalty and majesty, of dreamy and calming consciousness…here translated to a spirited collection of absolute music drivetrain (detroit, usa) – “breathe” derrick thompson engineers another captivating late night soul-bender. a commanding filtered bass groove, dominates melodic chord progressions with accentuating dynamic percussion and spicy vocal support mattimoe-perrine (toledo, usa) – “llucid” nathan mattimoe and todd perrine return with a composition of charismatic rhythm intelligence. as the journey builds, the elements become more intense, evolving to a vocal crescendo of synthesized deepness trecci (paris, france) – “sagami” soiree proudly welcomes trecci and his tribal inspired floor filler. drum manipulation integrates with vocal energy to ultimately dissolve in a hypnotic, quintessential string refrain funtom (zagreb, croatia) – “french connection” another newcomer to soiree, funtom musically animates the essence of high-tech sensuality. an alluring female voice subconsciously unveils a bed of infactuating pads, stabs and inflections

2018 repress dope new boogie straight out of melbourne, australia. tip! fronted by long-time collaborators françoise dargent and benny badge, so good to you showcases an evolution for silver linings and the duo s signature soul-boogie sound.

second release of the new sub label from politics of dancing records, p.o.d cross, featuring label boys politics of dancing and their homies, d julz and oleg poliakov. another serious dance floor friendly 2 tracker cut for djs.

forging a distinctive sound in todays crowded techno landscape is no easy task. madrid based mario campos aka kwartz has grown his robust, propulsive sound into one of the most interesting and vital strains of modern techno. after notable releases for mord, warm up, pole recordings, and his own label ‘order & devotion’, we are excited to present a 6 track kwartz offering for horo.
purists will have their desires satiated with the driving, undulating title track and dancefloor favourite ’altered states of consciousness’ while the rest of the ep sees mario take his style into exploration mode. ‘beyond belief’ functions as an emotive centre point to the releases’ varied moods, while the off kilter static of ‘over a sign recognition’ and the writhing bounce of ‘recoil’ and ’frame dislocation’ complete the carefully sculpted form of the release.
‘body sedation’ works in a listening environment as well as it does on an open minded dance floor, and we can confidently say, it’s built to last.

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

in 1982, a group of friends deep into post-punk, jazz and dub got together in mad professors studio and lay down their youthful interpretation of a nyc disco cut. their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. they called the song trouble and released two versions (vocal and dub) on their friend tony mcdermott s !drum! label with artwork inspired by russian constructivism. tip! . the group, comprised of justin langlands, chrysta jones, john schofield, tom dixon, and dave killen, decided to call themselves a-team, having no idea that mr.t and co. would make them almost totally ungoogle-able 30 years later. the result of their adolescent studio idealism sounds akin to otherdisco misfits like arthur russell, maximum joy, talking drums and wouldn t sound out of place on legendary nyc label 99 records. remastered with an extended club dub formaximum dance-floor action.

second circle is proud to announce it’s tenth release to date with a new ep from l.a. producer benedek. earlyman dance was recorded at benedek s studio in koreatown, los angeles and fuses mechanistic rhythms and synth work as well as live percussion and trumpet played by friends chris parise and anthony calonico. . with five vibed out compositions of coyote jazz, dance floor fusion and canyon bangers earlyman dance is an ode to the urban and natural landscapes of la, late night noir and early morning sunrises, accented with benedek s signature chord progressions, bouncing bass lines, meticulous drum programming and dubbed out trumpet.

carefully saturated floor stompers by finnish groove expert.

chicago s justin aulis long and ken zawacki return to l.i.e.s. with their second ep under their circling vultures moniker. on this offering we get four tracks of tough yet psychedelic machine music. from slow bpm beaters to metal on metal floor cuts, these are executed with precision to do maximum damage whenever played. sinking their teeth in and never letting go, looming over and waiting for the right moment to strike...tense music for the end times! another killer from these seasoned club vets.

there are west coast classics, and then there is music to driveby, the third lp from the group that birthed mc eiht: compton’s most wanted. although the group started in the late ‘80s with multiple mcs (including tha chill and boom bam), by 1992 eiht as pulling the group’s vocal weight – supported by dj mike t on turntables and production – and even producing and co-producing tracks. music to driveby might lack beats-per-minute variety, but to fans that’s not a bad thing. across the board, this is mid-tempo, super deep, funky hip-hop, made for cars creeping along boulevards across the west and south, and it’s about as good as it gets for such purposes. just about filler-free, the album struts intensely and with purpose, as eiht throws tales of cali street life at fans for an hour straight, almost without a break. this solo marathon is given a respite only once, with scarface’s guest spot on “n 2 deep,” an excellent hood roller supported by a soulful guitar lick sampled from lyn collins’ “do your thing.” elsewhere, eiht rolls alone and intensely, on cuts like the classic mash single “hood took me under”, the album’s second single and tim dog attack “who’s fu**ing who?”, the hometown big-up “compton 4 life”, and hustle tales like “jack mode” and “i gots to get over.” after this album, eiht released more classics under his own name, and with similar fan worship. it was the continuation of a legendary career and music to driveby still ranks high on anyone’s “west coast legends” playlist.

new year, new release for burnin music. after 2 strong eps in 2017 (ponty mython bm001 and leonidas +kay suzuki bm002) burnin music first release of 2018 features the first ep of an up-and-coming british artist called michael iwatsu also featuring a remix by german producer, soulphiction. fracture (original mix) is a 10 mins long journey. a beautiful odyssey between beats and harmony, between intuitive dance floor and subtle emotions. the main piano brings a perfect balance to the stomping house kick & drum. and as the journey continues, the trip develops leading to more sonic ventures. exciting, touching, pure, fracture (original mix) is a very balanced track. on the flip side, house music master soulphiction accomplishes the task to bring the track into a dark basement. his remix is a condensed version of everything that makes the original track an emotional one and also add a detroit twist: it becomes a raw, moody and very intuitive sonic object. a tool for the dancefloor.

we are very proud frankey&sandrino are back.
two first class hypnotic dance floor weapons. unnecessary to say bla bla bla…

following his ep for amazing stories, otis makes good on his long time friendship with the partisan crew via four dazzling cuts of future-minded machine funk. from swinging techno to breakbeat and electro, all glued together by that 909 house vibe, the playful side of otis’ unique sound masks an understated swagger that will rock the floor wherever it’s played.

after recently playing host to established names such as fabe, nima gorji and michael james, pathway traxx returns to its roots by introducing a new artist, but long time friend wiremu. this pure club record, and vocal infused ep is set to light up a dance floor near you very soon. wiremu brings his unique chugging sound by the bucket load while label boss niko keeps it smooth on the b-side.

for the 12th installment of jose cabrera’s self-titled imprint, mario castillo appears under his long running kastil moniker to deliver a four track ep of mechanical dance floor sounds. with anemic lust, the resident of vitoria-gasteiz, comes up with a worthy addition to his rapidly growing discography. after a period of diy work through his own label stale, castillo returns to the imprint where he last released his collaboration album with j.c. in 2017.

the third release of weorus comes with four massive tracks perfectly delivered by talented maurice giovannini and remixed by cocoon’s rising star dana ruh. the ep enter with “orange”, a mystically track perfect matched with the label concept of timeless music. dana ruh on a2 gives the perfect energy for a fully crowded dance floor, maintaining the spiritual feeling in the background, just a perfect interpretation. “plasma” for maurice is the tune that truly can make you go on a higher level, the structure, the sound design and feeling are deeply matched together for a nice and warm b1 start. “bunka” ends the ep in a perfect way giving you the need to reloop the entire ep. maurice again hits with a perfect vinyl already supported by ricardo villalobos, rhadoo and many others.

montreal’s minimal techno veteran pheek offers up a milestone vinyl release for the onset of this spring season. lumo ep offers four vibrant dance-floor compositions, each delving into its own labyrinthine mindscape, leaving no stones unturned in an ethereal garden of listening. lumo invites us into exotic, sprawling atmospheres- crafted with excessive care and the unmistakable studio-finesse that pheek has become known for. lovers of drums will be assured troves of bass-heavy, broken-beats and skittering, jazz-infused patterns which delicately tease and tantalize as they appear and flicker out. seasoned prowess in sound-design allows pheek to convey eerie, forgotten landscapes with periodic, lushly rising elements to bath the listener in unexpected lightness and thrilling serenity. lumo will surely tantalize even seasoned listeners as it melts heavily saturated layers of depth over unexpected arrangements. the result is a stunning interaction at the crossroads of minimal house and techno, nudging the listener toward sturdy grooves while simultaneously introducing new pathways on the way to ever-increasing depth.

hightime inc. is the unit of the two guys “dj tasaka + j.a.k.a.m. (juzu a.k.a. moochy)”who know each other since teenage in tokyo. they have been on their individual career on the different fields. in 2017 they dropped their 1st album “alchemsit now!”which includes various musical influences as hiphop,house,techno,jungle,world music etc.. and it does not belong to any of them. their miscellaneous blended dj set with their own tracks explodes vibrantly as a fundamental passion for the dance floor.

brothers black launch the second release on their self-titled, vinyl-only label with dance-floor focussed va. brbl002 is a selection artists whom the duo hold in high regard with the addition of an original track. kicking off the release is the berlin-based dutch dj, delta funktionen. keeping true to the raw, electro-influenced sound he s renowned for, platform4e is a tough, rolling peak-time weapon thats instantly playable and recognisable. up next on the a2 is an original track from brothers black. keeping with their groove-orientated, percussion focussed style, cold shoulder is a dj focussed tool that combines quick fire percussion with a rolling low end and sharp fm stabs. leading the aa1 is one of detroit s finest, and dj veteran, eric cloutier. in keeping with his trademark deep but warm sound is alexithymia. combining swirling acid soundscapes with warm, uplifting pads and a steady groove, this track is perfect for the darker hours of the night. following the aa2 is the mysterious high mobility weapons unit. with just a handful of releases, hmwu has a distinct and highly playable sound that has become a mainstay of the brothers black record bag. staying true to his fast paced, groove-orientated productions, aeromagnetic is a deeper-edged tool thats made for the dance-floor.

lee burridge, lost desert and junior akwety return with summer vibes all the way. following last year s subtle monster lingala, they bring the sunshine once again with three tracks. elongis vocal floats above its foundation of warm sub bass and groovy beats and always seems to induce at least one person in the crowd to sing along. even though we know they don t speak lingala (a language from congo). mona yo is a little groovier. floaty house music for outdoors. talking of floaty, the ep is wrapped up by float on. its pretty for sure but has a certain drive thats been rocking the all day i dream dance floor all year. close your eyes and daydream.

up next on hot creations is intrepid spaniard dennis cruz. the award winning dj and producer drops some heavy hitting dance-floor dynamite this june, enlisting the production expertise of new yorks joeski for the remix. title track freaks is deep and driving, with its almost slurred vocal, its perfect for those 4am vibes when the freaks come out to play. mother f..cker utilises heavier percussion set off by a pounding bass. the joeski rework of freaks adds a dash of prominent high-hats with the producer softening that unmistakable bass-line. dennis explains this ep is the style of music that i love to play and produce. it s what i feel more comfortable with and what i think defines my sound. dennis cruz has been firmly implanted in the music scene from a young age. he got his first taste for playing music at the age of 17. since then hes gone on to produce tracks for prominent labels such as moon harbour, solid grooves, snatch! and nervous records. his records have been championed by some of the industrys hottest djs from jamie jones to loco dice, and nic fanciulli to marco carola

hailing from the suburbs of ghent, asa moto are back on deewee with their third ep, this time delivering six radically different pieces of music, providing something for everyone. dance floor : covered. kitchen: covered. hi fi: check. car: sorted. earpod: done. up to you to find out which one was made for which.

brooklyn-based parang recording s fourth release delivers 3 wonky dance-floor groovers from the promising italian duo, two opposites and the trifecta that is formas puts their own spin on the title track.
mastering by carsten dambkes. artwork by alexander mignot.

one sided limited vinyl release: trippy, psychedelic electro-techno romp encouraging dance-floor ruckus and scrambled minds. complete with all manner of bleeps, voice manipulation and otherworldly sound effects.

evod music is glad to welcome binny and dj surgeles on its limited catalogue. the english dancefloor killer and the dutch sci-fi master fused perfectly together on this split ep. organic by binny is a perfect tool, thanks to its mesmerizing acid sequence, masterfully fused with powerful drum patterns and hypnotic drone raids. missing link is another killer tool, perfect for a dance floor full of people. its old school sound and the various changes make this track a must have. the b side is managed by dj surgeles, with three outstanding sci-fi tracks. science fiction contains a randomic, spaced out sequence blended with heavy drums and various drum patterns variations. commander pete is the most millsesque track: in this piece there is a real space ambience, thanks to a its far pads, the electronic ringings and bleep sounds incursions that create a constant suspense, broken by the interruption from an astronaut radio message. the ep is closed by message to earth, an ambient outro that fits perfectly with all the other tracks.

nashville s dusty funkateers magic in threes return to rnt reserve with a triptych of low-strung grooves, each complimented by a superlative remix. chupa cabra, a sweet soulful joint, is reimagined as a devilishly pulsating and funky burner by rnt mainstays fouk on their remix. parisian patchworks takes the 70s-cop-show funk of work tapes straight to nigeria with a beautifully crafted highlife remix. finally there s come on down, reminiscent of classic donald byrd in the larry mizell days, which is beefed up and readied for the dance floor by analog wizard lay-far. a lovely package for listening, or bumping!
pressed on limited 12 inch blue vinyl and housed in the new reserve generic sleeve

monterreys new kid on the block, colossio, ep on calypso is an inmerssion into this artist s world of influences. from kraut-rock to mexican folklore passing trough electronics, colossio takes us on a journey inside his head and mind. moto sets the stage with misterious guitars and trancey synths while fe it s more of a robotic percussion trip. ansia its a more dance-floor oriented track while still mantaining the experimental spirit of the whole ep. on remix duties, newcastle s latest global export, man power, channels the stooges and the new york dolls for a sleazy glam rock version of the title track

to celebrate two decades of skylax records, label head hardrock striker teams up with long time friend and co-worker dj sprinkles as skylax house explosion (s.h.e.). they present the second of three exclusive vinyl releases accompanying the mix cd for the 20 years compilation. all three eps will feature previously unreleased music curated by dj sprinkles and hardrock striker. “i think of one time in new york when they wouldn t let me into the loft, and i could hear they were actually playing one of my records on the dance floor at that very moment. i shit you not.” – dj sprinkles, midtown 120 blues (2008).

no moon blends electro, breaks, acid and uk bass into a forward-thinking club ep for the 7th release from berlin based collective, mechatronica.
opening with “sirens”, the a-side plunges straight into deep and breaky sub-domains, before sliding on to the brighter and melodic, but equally heavy workout, “bathtub dub”.
on the flip, electro and uk bass come together on gloomy tool “where am i”, before “acid ix” finishes off the record with a blissful, distorted acid frenzy for the floor.

to kick-start artificial dances 2018 release programme, the label has once again delved deep into the darkest corners of the dutch electronic underground. the result is a debut solo ep from another future hero, hague-based pasiphae. born in greece, pasiphae took up djing and music production when she moved to the netherlands five years ago. by 2016, she was confident enough to hold her own in the studio with intergalactic gary, with the resulting collaborative 12inch, made of glass, winning praise for its floor-rocking rhythms and throbbing electronic instrumentation.

vinyl only - standard cover - without artwork insert, forget your favorite brand of rolling paper... ocb is the name of our new talented artist from casablanca (morocco). after appearing on his own label casa voyager, it s our pleasure to host his 1st solo ep. 3 original tracks and 9 locked grooves on vinyl, this ep sets the dance floor on fire ! deep and raw, this fine production is the music we like.the electronic music scene is growing all over the world...welcome to ocb !

repress in black sleeve.
scalameriya returns to perc trax after the success of 2016’s kepslok. since then he has continued to break new ground both as a solo artist and via his ongoing collaboration with italian producer vsk, playing across europe and releasing on a number of key labels whilst growing his own genesa imprint. now for his first release of 2018 he takes a giant leap forward both musically and technically with the three track statement of intent that is his hellzone megapunk ep. each track demonstrates new techniques and approaches not heard in his music before, from the 4/4 versus broken beat cage fight of the title track to crucible s rolling polyrhythms and the otherworldly processed vocals of the closing track. as the first perc trax release of the year this ep sets out everything the label seeks to achieve, a combination of sonic innovation that manages to keep attention fully focussed on the dance floor at all times.

once again, providing a context for exciting new producers to release their debut 12”, cold recordings is proud to now bring you ‘cocktail party effect’. hailing from a musical family eric baldwin, the currently berlin based but british producer, shows off his colours here with a diverse, rhythmical, experimental – but always dance floor savvy – ep of 4 killer cuts, all rolling out between 125-130bpm.

wats records crew is happy to announce its next release. four industrial techno tracks composed by one of the most talented polish djs and producers, concept of thrill. first track of b side “materia” is a trippy track with broken beat and ambient synths instead the other three tracks are simply fire for the dance floor with hypnotics sounds and heavy bass lines. a really nice masterpiece of pure techno.
already supported by: laurent garnier, dvs1, petar dundov, benjamin damage, johannes volk, etapp kyle, oscar mulero, dimi angelis, arnaud le texier and many more.

lockwood - escape to the red mountain
after the sampler and the studio58 album, lemonade proudly presents their newest press of fruits, the great story of lockwood s -escape to the red mountains- ep. after blue heron got featured on the sampler, lockwood s debut ep on lemonade is here and it s a pure escape from reality. with influences from jazz, house, garage & ambient, lockwood tells their story about a boy s adventure of becoming a man.

various artists - who the fuck is cup of tea?
some bleeps & bloops, cats in space & broken rhythms. expect some astral travellin, speakers not handlin, dance floor tremblin vibrations. come and enjoy our greenery, we <3 to share.

still hope is their second single and the follow up to motorway jam (their double a side with palms trax from late last year) which sees them collaborate with anthony anaxagorou, a british born cypriot award winning poet and essayist, whose poetry and fiction have appeared on bbc newsnight, bbc4, itv and vice. hearing his lyrics via their good friend simbad, secretsundaze connected with anthony and still hope is the fruit of their labour. the original is a potent and political spoken word piece delivered over a rolling house groove. definitely one for the deeper moments with its late night heady feel and full vocal not letting up. the poems in the heart floor version strips the vocal back and adds dramatic strings for a more direct dance floor approach. ex slum village detroit producer waajeed released a couple of killer eps in 2017 on his own dirt tech reck imprint so we had to get him aboard for the remix. his detroit hardcore dub does what is says on the tin and is a peak time slammer while his searching dub goes down a jazzier, spacey route with live sounding drums and dreamy pads.

pvs is an artist who is known for his solid productions on his own label h.omevvork (just to remind you of his masterpiece of four years fuckin society) and on the prestigious m_rec ltd label of max_m who sadly passed away (r.i.p.), and key vinyl. after years of experience in his private life and professional life that involved travelling around europe, he took a moment of break from the scene. now he’s back and will release this own musical journey where he deeply expresses his personal musical maturity. pvs developed an album where nothing has been produced randomly. the album can definitely be defined as a techno album, as is the general concept of key vinyl - records that can be heard on the dance floor, but that can also be listened to at home. enjoy this album that shows 360 degrees techno by pvs.

two brilliant mysterious edits straight outa new york working maximum dance floor devastation!

western australia s red ember records is back from another archive diving adventure. -embers only : swan songs- presents four previously-unreleased, deeply emotive cuts by ewan jansen written between 1999-2000. the lead track swan marks the dance-floor tone in the collection with a hypnotic pseudo-electro groove sky lined by cathedral-like chords. following on, sea for yourself reaches into deep minimal house territory with a powerfully gentle, piano topped, 4/4 approach. on the flipside, the earnest and leafy love machine is drawn down the proverbial path, dropping broken beats and inhibitions along the way. the collection is signed off with the ambient chordal wash of afterlude ... an introspective repeater equally on call for any early morning after party or your final few waking moments.